Nazia Akhtar

Bibi’s Room: Hyderabadi Women and Twentieth-Century Urdu Prose

In addition to the general neglect of women writers, Urdu literary historiography in both English and Urdu has historically privileged north Indian and Pakistani writers while overlooking the many Urdus south of Bombay and Bhopal. Next to no work exists in English on the Urdu writers of Hyderabad, and only a handful of texts have been translated into English—an astonishing neglect, considering their contribution to the study of gender, political cultures, and regional histories.

Bibi’s Room studies the lives and work of three women writers from Hyderabad who wrote in Urdu: Zeenath Sajida, Najma Nikhat, and Jeelani Bano. It addresses the absence of scholarship on Hyderabadi women writers in three ways: representative translations; short, nuanced biographies; and critical analyses of their oeuvres—all framed against twentieth-century Hyderabadi history, politics, culture, and society.

The three writers showcased here offer rich portrayals of Hyderabadi urban culture as well as critiques of gender and patriarchy. Zeenath Sajida’s insights into Islam dramatically alter what we know of Muslim women’s engagements with fundamental theological questions. Sajida is also a skilled proponent of Urdu humour and satire, a genre notorious for its exclusion of women writers. Jeelani Bano’s oeuvre, spanning three schools of Urdu literature, makes vital contributions to our understanding of gender, class, communalism, and national identity. Najma Nikhat’s deodi stories powerfully narrate women’s lives across class in feudal aristocratic homes, and their participation in revolutionary struggles like the Telangana movement.

The picture of Hyderabadi women’s lives that emerges generates new knowledge about the conditions in which women live, write, and resist, and expands our understanding of their public participation in South Asia. Bibi’s Room is also a welcome and valuable addition to studies of Urdu literature, South Asian feminism, translation, and the history and culture of Hyderabad.

Swati Ganguly

Tagore’s University: A History of Visva-Bharati 1921-1961

Tagore’s University is a history of Visva-Bharati, the world centre of learning and culture founded by Rabindranath Tagore a hundred years ago. The poet’s conception entailed several autonomous centres – for Asian studies, the visual arts, music, and rural reconstruction – in defiance of the standard notions of a university. Visva-Bharati was set up to break barriers between nations and races by rebuilding in miniature the visva – the world torn apart by World War I.

The book traces the first four decades of this large experiment in building a cultural community of learning, teaching, and scholarship. It tells the story of exceptional individuals from across Europe, Asia, America, and India who became Tagore’s collaborators in a mini-universe of creativity and humane intellection. It reveals why in its heyday Visva-Bharati was so internationally renowned as an extraordinarily attractive institution.

Pradeep Magazine

Not Just Cricket: A Reporter's Journey through Modern India

Eminent journalist Pradeep Magazine's memoir is a story of lived, real experiences, of joy, sorrow, fear, loss and hope, and about how an uprooted identity shapes one's attitude towards society and the nation. From the Kashmir of the 1950s to terror-stricken Punjab, from the Mandir-Masjid divide and the impact of Mandal politics to the tragic consequences of the Kashmir situation-Magazine paints a fascinating portrait of modern India.

At the core of the book are accounts of some of the most epochal events in India's cricketing history, woven around personal encounters with several well-known cricketers. The author lays bare the vicious machinations that are a staple diet of sports governance and reveals hitherto unknown facts about the frictions and ego clashes that are inevitable in a game that dominates India's sporting discourse.